Harry Abraham: The Best of All Possible Worlds.Sutherland Brothers & Quiver: Arms of Mary.Junior Brown: My Wife Thinks You're Dead.Nilsen, Lind, Holm, & Fuentes: Hallelujah.Allison Krauss & the Chieftains: Molly Bán.Coldplay: God Put A Smile Upon Your Face.Ray Stevens: I Need Your Help Barry Manilow.Little River Band: It's A Long Way There.Joan Osborne: What Becomes Of The Brokenhearted?.Stevie Ray Vaughan & Double Trouble: Superstition.See if you can pick out the various sounds in Jon Lord’s playing on “Hush.” You can hear this in “Hush” as well as other Rock organ pieces from the period. Jon Lord’s playing shows that an organist can also use a percussive attack and glissando to add effects to songs without having to be exact when playing. Made until 1974, the Hammond B3 organs produced a distinctive sound and these instruments were used on thousands of recordings during the period. Finally, organists learned that this mechanical organ’s tone wheels could produce a pitch bend when the musician, while depressing the keys, shut the organ off and then back on while playing. Add to all of that the Leslie rotating speaker with produced a Doppler effect that changed the pitch of the notes being played. The adjustment of the drawbars created unique timbres and when combined what was termed as percussion that added a “plink” to the attack and a key click which was caused by the closing of the key contacts on the organ. One additional draw bar (1 3/5 foot) added a major third that was two octaves above the fundamental. In addition three drawbars added a fifth note in various octaves with the 5 1/3 foot, 2 2/3 foot, and 1 1/3 foot settings. These included 16 foot, 8 foot, 4 foot, 2 foot, 1 foot with the 8 foot setting being the fundamental sound. The organ had drawbars that could be set to add a certain amount of tone mimicking pipe organ pipes in various lengths. The Hammond sound is unique and was created using 96 rotating tone wheels that recreate the sound of a pipe organ. His instrument of choice was the classic Hammond B3 organ. Unlike later recordings by Deep Purple that prominently featured the guitar of Ritchie Blackmore, “Hush” and others from this period concentrated on keyboardist Jon Lord’s organ playing. The recording features Deep Purple’s original lineup that included vocalist Rod Evans and bassist Nick Simper – both of whom were fired after the release of the band’s self titled third album. Deep Purple’s 1968 arrangement, while similar to Joe South’s demo recording of the song, only charted in North America where it placed at #4 in the US and #2 in Canada. Royal released it as a single in the US, but his version peaked on the Billboard’s Hot 100 at 52 in 1967. Writer(s): JOE SOUTHLyrics powered by song hush was written by Joe South (“Games People Play”) with Billy Joe Royal in mind. I got a certain little girl she's on my mind No doubt about it she looks so fine She's the best girl that I ever had Sometimes she's gonna make me feel so bad Hush, hush I thought I heard her calling my name now Hush, hush She broke my heart but I love her just the same now Hush, hush Thought I heard her calling my name now Hush, hush I need her loving and I'm not to blame now (Love, love) They got it early in the morning (Love, love) They got it late in the evening (Love, love) Well, I want that, need it (Love, love) Oh, I gotta gotta have it She's got loving like quicksand Only took one touch of her hand To blow my mind and I'm in so deep That I can't eat and I can't sleep Listen Hush, hush Thought I heard her calling my name now Hush, hush She broke my heart but I love her just the same now Hush, hush Thought I heard her calling my name now Hush, hush I need her loving and I'm not to blame now (Love, love) They got it early in the morning (Love, love) They got it late in the evening (Love, love) Well, I want that, need it (Love, love) Oh, I gotta gotta have it.
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